小男孩意外成了见证珠宝店抢劫的罪犯的犯罪过程。

从出生的那一刻起，地球上的每种生物就都开始了这场伟大而危险的旅程，这就是生命。和我们一样，动物也必须克服障碍，既要努力成长到成年，又要接受由自然环境、天敌甚至它们自己的家庭所带来的无法预料的挑战。这部引人入胜的纪录片从动物个体的视角来描述，展现了它们从出生到变成父母所经历的过程。

该剧是根据张海迪的故事创作的，讲述的是残疾姑娘玲玲不畏艰难，找回生活的勇气和生命价值的故事。该剧获第四届“飞天奖”连续剧二等奖、第二届“金鹰奖”优秀连续剧等奖项。 　　半身瘫痪的残疾姑娘玲玲在“文革”中随父母到农村落户，在感受到农村的贫困和落后之后，她决心力所能及地为人们做点事情。她学会了针灸，治愈了乡亲们，觉得自己是一个对社会有用的人。回到县城后，她奋力找到谋生之路，但病魔和挫折让她有了轻生的举动，是周围的青年朋友用友谊温暖了她的心，让她找到了生活的勇气和生命的价值。为了夺回工作和生活的权利，她接受了第四次手术，战胜了病魔，和朋友们一起开拓了一条广阔的道路。

1956年，在简·古道尔冒险进入黑猩猩世界的四年前，也是黛安·福斯西去研究山地大猩猩的七年前，无论男女，都还没有进行过这样的探险之前，23岁的加拿大生物学家安妮·因尼斯·达格，进行了一次史无前例的单人旅行，前往南非，成为世界上第一个在非洲大陆上研究野生动物行为的人。她也成了世界上第一位“长颈鹿学家”，她的研究结果最终成为许多科学家追随她脚步的基础，《爱长颈鹿的女人》为我们提供了一个感人的视角。

小男孩马基（麦克斯·雷诺丹 Max Renaudin 配音）一家人被猎人绑架，当作了奴隶准备贩卖到法国。马基趁着猎人熟睡之机，偷偷挣脱了手铐，开始了逃亡。路上遇到了长颈鹿“扎拉法”（黛博拉·弗朗索瓦 Déborah François 配音），不幸的是猎人沿着脚印追了上来，将“扎拉法”的母亲杀害了，马基答应“扎拉法”的母亲一定会照顾好他。危急关头沙漠王子汉森（西蒙·阿布卡瑞安 Simon Abkarian 配音）挺身而出，猎人被赶走了，汉森牵着“扎拉法”准备回自己的王国，马基信守诺言一直跟着汉森。回到王国后，汉森奉命将“扎拉法”带到法国，献给法国国王，请求他们出兵援助他们。他们从港口乘着热气球出发，经过阿尔卑斯和马赛达到巴黎，一路上艰难坎坷，马基能带“扎拉法”回非洲吗，法国国王是否会出兵援救呢…… 　　本片根据十九世纪真实事件改编，“扎拉法”是一头非洲长颈鹿，被当成埃及帕夏送给法国国王的礼物，成了欧洲的“大明星”。

This is the story of a tall 10-year-old girl. She is working on a school project that aims to explain how the world works to her class. She is faced with difficult social and political questions that even adults struggle to answer.

从百年前至今，有这样一条路，由中国云南的昆明出发，穿越哀牢山脉以及红河谷，向南延伸，血脉一样贯穿了云南东南部，通向喜马拉雅山南部的东南亚次大陆。这条道路一直存在于传说和高原的沟壑之中，它和大洋彼岸的法国有关，和中国的邻国越南有关，被称为“滇越铁路”。

讲述尼莫船长和他充满传奇性的潜水艇“鹦鹉螺号”的起源故事。尼莫（沙扎德·拉蒂夫 饰），一个印度王子，他被剥夺了权利和家庭，成为东印度公司的囚徒，想要向夺走了自己的一切的势力复仇。此后他开始航海之旅，一边抵抗敌人，一边发现那些有魔力的水下世界。

One of the first recorded images of a giraffe appeared in the drawings of the ancient Egyptians, who named it ‘sr’. In the 1990s, veterinarian Motke Levinson purchased four giraffes on behalf of two zoos. Upon their arrival in the same container to a port in the Red Sea, they were divided. Two were sent to an Israeli zoo while the others were sent to a Palestinian zoo. Living outside their natural habitat, their survival became an uphill battle at the zoos, and within years, they perished. This is just one of many stories that director Lea Harlaub ponders on. From the wall paintings of ancient Egyptians to exotic animal exports and modern-day safari tourism, this essay film takes us on a hypnotic journey to weave together the history of this majestic animal with the history of humanity.

One of the first recorded images of a giraffe appeared in the drawings of the ancient Egyptians, who named it ‘sr’. In the 1990s, veterinarian Motke Levinson purchased four giraffes on behalf of two zoos. Upon their arrival in the same container to a port in the Red Sea, they were divided. Two were sent to an Israeli zoo while the others were sent to a Palestinian zoo. Living outside their natural habitat, their survival became an uphill battle at the zoos, and within years, they perished. This is just one of many stories that director Lea Harlaub ponders on. From the wall paintings of ancient Egyptians to exotic animal exports and modern-day safari tourism, this essay film takes us on a hypnotic journey to weave together the history of this majestic animal with the history of humanity.